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Helmholtz Resonator

Resonate absorbers are the most powerful of low-frequency absorption technologies. Pound for pound and square foot per square foot, resonant absorbers can not be matched for low-frequency absorption. They are sometimes called resonance absorbers. We are speaking about real low-frequency absorption which represents all frequencies below 100 Hz. Resonant absorbers are different than other absorbers. They work best in areas of high room sound pressure not high sound velocity areas like porous absorbers that handle middle and high frequencies.

Vibrations & Sound Pressure
A resonant absorber is a vibrational system that “runs” on sound pressure. As vibrational science will tell us a resonant absorber is a mass vibrating against a spring. The mass is the cabinet and front wall or diaphragm. The spring is the air inside the cavity of the resonant absorber. If you change the vibrating mass and stiffness of the spring, you can control and tune the resonant absorber to the resonant frequency of choice. The internal mass or cabinet depth determines design frequency. The spring or internal air and cavity are used for achieving the rate of absorption above the unit’s designed for resonant frequency. There are three types of resonant absorbers: Helmholtz and Diaphragmatic and Membrane.

Helmholtz / Membrane
A Helm resonator is a box or tube with an opening or slot at its mouth. Air enters the slot which has a calculated width, length, and depth. The slot is attached to a cabinet or cylinder of different widths and depths. A glass coke bottle is a good example of a Helmholtz resonator. It is a resonant absorber or as some would term a resonance absorber. The frequency or resonance is determined by the slot dimensions along with the cabinet or cylinder depth. Helms are frequency specific and narrow frequency band coverage. A membrane absorber works similar to a diaphragmatic. It has a membrane than vibrates in sympathy to sound pressure. This vibrating membrane is attached to a cabinet which has a certain depth and fills material. A diaphragmatic absorber works similar to a membrane with more performance per square foot.

 

Calculate Resonant frequency of Helmholtz Slot Absorber

Resonant Frequency Formula
fo = 2160*sqrt(r/((d*1.2*D)*(r+w)))
fo = resonant frequency
r = slot width
d = slat thickness
1.2 = mouth correction
D = cavity depth
w = slat width
2160 = c/(2*PI) but rounded
c = speed of sound in inch/sec
If the gaps vary say 5mm, 10mm, 15mm, 20mm and the wall is angled as shown below, a broad band low mid resonator is created that still keeps the high frequencies alive.

Remember the cavity behind must be airtight!
By working out the different slat widths and slat gaps you can create a broadband low mid resonator at specific frequencies.

Credit : mh-Audio.nl , acousticfields

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Asia Noise News Building Accoustics Environment Industrial

Acoustic Design According to Room Shape

The shape of the room defines the movement of the sound waves within the room. Placement of acoustic materials should be determined by the way the sound moves in that particular room in order to ensure optimal efficiency of the materials.

1. NARROW ROOMS 

Placing the sound absorbing materials on the ceiling in a narrow room will not create the wanted acoustic effect. 

Sound absorbers must be placed as close to the sound source as possible. Therefore, the absorbing materials must primarily be placed on the walls

2.ROUND ROOMS 

The sound moves towards the constructive centre thereby creating echoes.

The sound diffusing elements should be placed on the curved surfaces in order for the sound to be dispersed in many directions.

3.1 LARGE ROOMS WITH LOW CEILING

In large rooms the sound spreading is experienced as the greatest challenge, since the speech sounds can be heard over long distances.

Sound absorbing and sound diffusing materials should be used, and sound barriers should be applied to the ceiling. The sound regulation from the floor is secured by furniture and the use of sound barriers.

3.2. LARGE ROOMS WITH HIGH CEILING

The acoustic environment in large rooms is sometimes experienced as the one at a railway station. This is partially connected to the fact that it is difficult to concentrate due to the relatively high noise level. Another reason for this is the fact that the conversation over short distances is impeded due to the sound being masked or drowned by the surrounding noise 

It is therefore important that all the available surfaces are equipped with effective sound absorbers and sound diffusers. The furniture along with the sound barriers play a highly active role by diffusing the sound and thereby making the existing sound absorbers and diffusers even more efficient.

4. SMALL ROOM WITH PARALLEL WALLS 

In small rooms, the low frequencies often seem to be predominant. Therefore, the speech appears to consist primarily of humming sounds. Sound absorbers with a low-frequency profile should be used and placed on the ceiling surface.

5. CEILING DOMES

The sound diffusing elements should be placed on the curved surfaces in order for the sound to be dispersed in many directions.

6. INCLINED CEILING

Inclined ceilings have both a sound spreading and a sound concentrating effect. In most cases, the sound is concentrated because the sound regulation of the area around the inclined ceiling has not been considered carefully.

The wall area opposite the inclined ceiling should also be equipped with sound absorbing materials. As a principal rule, all surfaces above the normal ceiling height (2.60 m) including the end walls should be equipped with sound absorbers.

7.INCLINED WALLS

Inclined walls have both a sound spreading and sound concentrating effect. 

The sound spreading effect is achieved by inclining the wall in proportion to other walls and the ceiling. In general, the walls inclined by more than 6 degrees ensure an excellent sound diffusion. The most effective diffusion is obtained by applying several angles.

8. VAULTED CEILING

In rooms with vaulted ceilings, the sound is concentrated in the constructive centre making the sound appear with a stronger intensity. The sound movements also appear stronger along the curve.

9. CONNECTED ROOMS

Rooms that are linked by a large opening in between, influence each others sound environment. A room without acoustic regulation can act as an echo chamber reinforcing the sound, when connected to an acoustically regulated room.

Both rooms must be equipped with sound absorbers. If the distance between the opening and the opposite walls is short (5-6 m), the walls much be covered with sound absorbers or diffusers.

10. ROOMS WITH MEZZANINE

In rooms with mezzanine, it is possible to create different sound environments in the same room. In the large, open room, an environment with long reverberation time is created. The space above and below the mezzanine has a shorter reverberation time. The challenge posed in this type of rooms is the sound reflection and the harmonization of the different reverberation times.

The wall opposite the mezzanine should be equipped with sound absorbers or diffusers. In addition, sound absorbers should be placed on the underside and the banister of the mezzanine. In order to prevent large differences in the reverberation times between the large room and the space around the mezzanine, sound barriers can be applied.

Credit: KNAUF DANOLINE

Check out our free reverberation online calculator (for basic rooms).

https://www.geonoise.com/reverberation-time-calculator/